{"id":2151,"date":"2019-10-03T11:35:41","date_gmt":"2019-10-03T03:35:41","guid":{"rendered":"http:\/\/famous-av.com\/?p=2151"},"modified":"2019-10-03T11:35:41","modified_gmt":"2019-10-03T03:35:41","slug":"wharfedale-evo-4-4-review-whathifi","status":"publish","type":"post","link":"https:\/\/famous-av.com\/?p=2151","title":{"rendered":"Wharfedale Evo 4.4 review – WhatHiFi?"},"content":{"rendered":"

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Think of Wharfedale and we can pretty much guarantee the next word to enter your mind is Diamond. So successful have the various budget\u00a0Diamond<\/a>\u00a0ranges been over the decades that it\u2019s easy to forget that the company also makes premium products, such as the new Evo 4.4 floorstanders on test here.<\/p>\n

These are the biggest and priciest offerings in the company\u2019s new Evo range and are packed full of so much technology that we had to double-check the speaker\u2019s price tag to make sure it was for a pair of speakers, rather than just one.<\/p>\n

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Build<\/h2>\n

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What kind of technology? Well, there\u2019s the Air Motion Transformer tweeter for starters. While there are a few similarly priced speakers that use such a unit, it\u2019s a type of design more usually seen at far higher prices.<\/p>\n

An AMT works by having a light, pleated diaphragm driven across its surface by a row of carefully placed magnets. The pleats contract or expand according to the music signal, squeezing the air between them in the process to create the sound wave. The sound from this kind of unit is claimed to be fast because of the light diaphragm, and accurate due to the complete surface area being driven.<\/p>\n

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The 55 x 80 mm AMT hands over to another unusual drive unit, a dome midrange, at a relatively high 4.7kHz. Few speakers use a dome midrange because of the cost and difficulty of development, but the one used in the 4.4 has a 50mm soft dome coated with a damping compound to control resonances. There\u2019s also a specially shaped chamber behind the dome that scatters and absorbs the diaphragm\u2019s rearward sound, so reducing distortion and improving detail.<\/p>\n

This dome midrange unit has a wide frequency response ranging from 800Hz to 5kHz. This response along with the powerful motor system helps it integrate with the AMT tweeter as well as the twin woven Kevlar bass drivers that sit below it on the front panel. The crossover point between the midrange and bass drivers is 1.2 kHz.<\/p>\n

If you\u2019re thinking that any speaker that stands 106cm tall and has twin 15cm bass drivers should deliver plenty in the way of bass, you\u2019d be right.<\/p>\n

The output of those two bass drivers is helped by a downward-facing port arrangement where the low frequency sound fires out through a gap between the base of the speaker cabinet and the floor plinth. This is a technique that Wharfedale has refined in recent years and is claimed to better match the acoustic output of the port to the room.<\/p>\n

The Evo 4.4\u2019s build quality is good for the price. We like the way the elegantly curved cabinet is put together. It\u2019s strategically braced and damped to provide a solid, low resonance platform for the drive units to work from. There are three finish options \u2013 black, white and walnut. The standard of fit and finish on our review samples is good.<\/p>\n

Compatibility<\/h2>\n

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These are pretty big speakers, and sound best well away from the rear and side walls in our medium-sized test room. Place the speakers too close to either room boundary and that powerful low end starts to dominate.<\/p>\n

Get it right though, and add suitably talented electronics into equation, and you\u2019ll find the Evo 4.4s to be superb speakers for the money. We think something like a\u00a0Cyrus CDi<\/a>\u00a0CD player coupled with\u00a0Rega\u2019s Elex-R<\/a>\u00a0would be a good starting point for a system.<\/p>\n

The Evo 4.4 has a nominal impedance of 4 ohms, but it barely dips below that point at its minimum, so shouldn\u2019t be a particularly hard speaker for an amplifier to drive. That means the absolute quality of the amplifier is going to be the decider rather than its outright grunt.<\/p>\n

Sound<\/h2>\n

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It won\u2019t come as a surprise that relatively big speakers produce a large-scale sound with plenty of authority. We listen to Dvorak\u2019s\u00a0New World Symphony<\/em>\u00a0and are impressed by the Wharfedale\u2019s dynamic reach and ability to cope with a mass of instrumentation with composure. They go loud with an ease that suggests plenty of headroom and remain organised when the recording gets demanding.<\/p>\n

The transparency and subtlety these Wharfedales display is far less expected. There\u2019s a real feeling that these speakers are digging deep into the recording and presenting that information in an honest way. They track the complete envelope of a note well, clearly defining leading and trailing edges without sounding overly etched.<\/p>\n

Rivals such as the excellent\u00a0Fyne Audio F501s<\/a> sound more forward, and perhaps more exciting because of that, but over a longer listen the Evo 4.4\u2019s easier-going presentation is more natural and convincing. It\u2019s the kind of sound that appeals over the long term rather than during a short audition at a dealer.<\/p>\n

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The combination of the AMT tweeter and dome midrange delivers much in the way of resolution and transparency. These speakers sound impressively articulate through these frequencies and deliver vocal-led music such as <\/span>Mount The Air<\/em>\u00a0from The Unthanks brilliantly. There\u2019s nuance and texture in voices that helps to communicate emotions really well.<\/span><\/p>\n

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Tying everything together is a fine sense of timing that results in surefooted rhythms and the ability to present a mass of instrumentation as a cohesive and musical whole. The longer we listen, the less we find ourselves analysing the sound, and the more we simply enjoy the results.<\/p>\n

The Wharfedale\u2019s refined tonal presentation is nicely judged, treading that fine line between attack and smoothness well. Over our review sessions we listen to everything from Bob Marley and Bruce Springsteen right the way through to Orff\u2019s Carmina Burana and never feel that these Evos are dictating our choice.<\/p>\n

Verdict<\/p>\n

These floorstanders prove that Wharfedale has the ability to mix it with the very best at more premium prices. The Evo 4.4s are entertaining and detailed with enough in the way of refinement to make them an excellent long-term choice. If you\u2019re looking for floorstanders at this level, put these towers high on your shortlist. You won\u2019t regret it.<\/p>\n

SCORES<\/strong><\/p>\n